It’s impossible not to admire how Gerwig is taking a big swing with heady notions during the mindless blockbuster season, but she offers so many that the movie sometimes stops in its propulsive tracks to explain itself to us-and then explain those points again and again. After coming on strong with wave after wave of zippy hilarity, the film drags in the middle as it presents its more serious themes. And we can’t forget Michael Cera as the one Allan, bumbling awkwardly in a sea of hunky Kens-although everyone else forgets Allan.īut while “Barbie” is wildly ambitious in an exciting way, it’s also frustratingly uneven at times. They include a gonzo Kate McKinnon as the so-called “Weird Barbie” who places Robbie’s character on her path Issa Rae as the no-nonsense President Barbie Alexandra Shipp as a kind and capable Doctor Barbie Simu Liu as the trash-talking Ken who torments Gosling’s Ken and America Ferrera in a crucial role as a Mattel employee. Within the film’s enormous ensemble-where the women are all Barbies and the men are all Kens, with a couple of exceptions-there are several standouts. (Viewers familiar with Los Angeles geography will particularly get a kick out of the places that provide his inspiration.) Gosling sells his square-jawed character’s earnestness and gets to tap into his “All New Mickey Mouse Club” musical theater roots simultaneously. He goes from Barbie’s needy beau to a swaggering, macho doofus as he throws himself headlong into how he thinks a real man should behave. Her performance is a joy to behold.Īnd yet, Ryan Gosling is a consistent scene-stealer as he revels in Ken’s himbo frailty. From a blinding smile to a single tear and every emotion in between, Robbie finds the ideal energy and tone throughout. Later, as Barbie’s understanding expands, Robbie masterfully handles the more complicated dialogue by Gerwig and her co-writer and frequent collaborator, filmmaker Noah Baumbach. The blonde-haired, blue-eyed stunner completely looks the part, of course, but she also radiates the kind of unflagging, exaggerated optimism required for this heightened, candy-coated world. She’s the perfect casting choice it’s impossible to imagine anyone else in the role. It's a neat trick.Īs the film's star, Margot Robbie finds just the right balance between satire and sincerity. Strangelove”-inspired lamp hovering over the table, yet Will Ferrell’s CEO insists his company’s “gender-neutral bathrooms up the wazoo” are evidence of diversity. Mattel headquarters features a spacious, top-floor conference room populated solely by men with a heart-shaped, “ Dr. (the film’s distributor) at least create the appearance that they’re in on the surprisingly pointed jokes at their expense. After all, there was an astronaut Barbie doll (1965) before there was an actual woman in NASA’s astronaut corps (1978), an achievement “Barbie” commemorates by showing two suited-up women high-fiving each other among the stars, with Robbie’s Earth-bound Barbie saluting them with a sunny, “Yay, space!” This is also a movie in which Mattel (the doll’s manufacturer) and Warner Bros. This is a movie that acknowledges Barbie’s unrealistic physical proportions-and the kinds of very real body issues they can cause in young girls-while also celebrating her role as a feminist icon. This bleeding of stark reality into an obsessively engineered fantasy calls to mind the revelations of “ The Truman Show” and “The LEGO Movie,” but through a wry prism that’s specifically Gerwig’s. Both discover harsh truths-and make new friends –along the road to enlightenment. Her kinda-sorta boyfriend, Ken ( Ryan Gosling), comes along for the ride because his own existence depends on Barbie acknowledging him. She must travel to the human world in order to understand herself and discover her true purpose. Such is the anticipation industrial complex.Īnd so you probably already know the basic plot: Barbie ( Margot Robbie), the most popular of all the Barbies in Barbieland, begins experiencing an existential crisis. But because the marketing campaign has been so clever and so ubiquitous, you may discover that you’ve already seen a fair amount of the movie’s inspired moments, such as the “ 2001: A Space Odyssey” homage and Ken’s self-pitying ‘80s power ballad. They come from the insularity of an idyllic, pink-hued realm and the physical comedy of fish-out-of-water moments and choice pop culture references as the outside world increasingly encroaches. “Barbie” can be hysterically funny, with giant laugh-out-loud moments generously scattered throughout.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |